Monday, November 12, 2007

The Screen Writers Guild strike, technology, and the future of scripted television

Part I - Relevant History

The Television Writers Guild strike is viewed by many as just another labor dispute. It’s not. It is the first nationally significant economic acknowledgment of the transition in home entertainment that has been under way for a decade. For this industry, 2008 is 1948 all over again.

At the beginning of 1948, the primary choices for purchased or broadcast home entertainment were (a) books and magazines, (b) 78 rpm phonograph records, or (c) radio (other than self-generated entertainment such as playing a piano or singing). About 3 million tv sets had been purchased by pioneer viewers who had relatively little to watch. By the end of 1953, that number had grown ten-fold to over 30 million with 50% of Americans having a television set in their home. By the end of 1958, the number of television sets sold had doubled again, to over 60 million, many of course replacing black and white sets with color (80,000 sold by RCA in 1958).

Television programming was just a continuation of the same categories prevalent in radio in 1940. In a manner similar to books and movies, radio and tv offered fiction and non-fiction programming. In addition to fiction and non-fiction, both offered a category comparable to vaudeville, "entertainment consisting of a number of individual performances, acts, or mixed numbers, as by comedians, singers, dancers, acrobats, and magicians." That category could be termed "televaudeville". In the 1950's, the basics of "televaudeville" were established by the likes of Sid Caesar and Ed Sullivan, plus game shows such as "You Bet Your Life" and "Amateur Hour" and the popular daytime reality show "Queen for a Day."

By the mid-1950's, television brought about the transformation of radio, reducing it down to its current formats - recorded music, talk shows, and news. Many executives, writers, and performers failed to make the transition successfully. This history is relevant to the changing economics of television.

We need to understand changing terminology. Much like the music industry continued referring to a newly released cd as an "album", it is now doing so even though the "album" is a group of mp3 file downloads. What was known in 1960 as "tv" is now being viewed on DVD’s and viewed online as MPEG files, either as downloads or video streams. So "tv" has become something of a generic term. And the broadcast television industry is facing a significant transition as "tv" has become generic.

Continue to Part II

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